When I was in grad school I'd meet my thesis advisor, Catherine, on Tuesday nights at a café on New York's Upper West Side. We'd sit together at a small table, where she'd have me read my fresh, newly written poems out loud.
It was an exercise to hear how the poems sounded, a way to help pinpoint any hiccups in the rhythm, line breaks and so on. (It also taught the regular café-goers that, yes, poets gather over black tea and read poems about death, just like you imagined.)
One particular night, I started reading a new poem — but I only got through two lines before Catherine stopped me.
"Don't read it like it's a poem," she said. "Read it like you're talking to me." In other words, read like a human. Read more...
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